- Gender and Sexuality in Weimar Modernity
- Film, Literature, and “New Objectivity”
- Table of contents
- REVIEWS | Seminar: A Journal of Germanic Studies
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Gender and Sexuality in Weimar Modernity
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His profound understanding of the ways and means of literature was not matched by a natural gift for original poetry. Of the ten August von Schlegel settings and translations, seven are included on this disc. Friedrich Schlegel was the youngest of seven children. By the precocious standards of his siblings he was a late developer, and his family despaired of his displaying any talent.
Film, Literature, and “New Objectivity”
Indeed he was a cause of worry in childhood, with frequent fantasies about suicide. At the age of fifteen he was sent to Leipzig to be apprenticed to a banker named Schlemm, and there he awoke from his adolescent torpor.
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From now on he was to be the most relentlessly energetic of all the Schlegels. As a student he displayed stunning mastery of detail and the beginnings of a lifelong ability to synthesize smaller currents of history or thought into a seemingly inevitable and logical single stream with larger, even universal, significance.
Schlegel aimed to be the Winckelmann of Greek literature, expounding the classical writers in the same way that the great historian had brought alive the artistic achievements of the ancients. For me you have been the High Priest of Eleusis. Through you I have learned of heaven and hell. It was there that he met Dorothea Veit, the daughter of Moses Mendelssohn and the aunt-to-be of the yet unborn composer Felix Mendelssohn. She became his lifelong companion they were married only in and his most ardent and long-suffering propagandist.
In six issues of this paper — were united the talents of the early Romantic school. Friedrich Schlegel was the theorist and philosopher, August Schlegel the philologist and critic; Friedrich Schleiermacher was the moralist and theologian of the Romantic academy, Ludwig Tieck its storyteller, and Novalis the esoteric mystic. The stream of his thoughts written down in a large number of notebooks become the famous Kritischen Fragmenten which enlarged on the irony of Lichtenberg and brought the aphoristic style of Chamfort to German literature.
In his mysticism and redefinition of the meaning of symbolic forms, Schlegel opened a path that was to lead to the early work of Nietzsche and the French symbolists. Scarcely shocking to modern eyes, it was considered scabrous at the time, particularly since its author had recently taken up with a married woman. It is a plea for an exchange of roles between the sexes, and an androgynous understanding of love.
Table of contents
Shortly after the Alarcos debacle he moved with Dorothea to Paris which was his base for a series of lectures and a serious study of Sanskrit with the young Scottish scholar Alexander Hamilton. At this point he had astonishing and serious visions of European unity. These seem surprisingly modern today, and remind us that the present French—German axis is not new; indeed, people like Stefan Zweig and Romain Rolland had had similar ideas later in the century. Schlegel then moved to Cologne where he gave a series of readings the brothers seem to have made as much a stir with their lectures as Liszt was later to make with his piano recitals which formed the basis of his equally famous history of German literature.
It was here that he married Dorothea, and this concern with religious formality and an attempt to establish a new age of medieval faith and aesthetics signalled the next decisive change in his life. In April both Friedrich and Dorothea converted to Catholicism.
This occasioned a scandal similar to that of the publication of Lucinde. Soon afterwards the couple made their way to Vienna where brother August had given a series of lectures. Not to be outdone, Friedrich planned a series of talks on recent history in Vienna in and established himself there as a social lion as well as a publisher of various papers which were increasingly conservative and royalist. But he became increasingly interested in the trappings of public life.
He ate a great deal this was reflected in a figure growing ever more portly and was also something of a heavy drinker. His sense of self-importance knew no bounds, although he failed ever to achieve any position of real significance in the Austrian government. The present difference between the two brothers is vast, and in my view wholly in favour of A.
REVIEWS | Seminar: A Journal of Germanic Studies
Above all, how could one know that a man of liberal and universal sympathies had turned into a prig? How this might have come about, and when, is difficult to say, for there are no documentary sources which conclusively prove that composer and poet ever met. One thing is certain. We are indebted to Lisa Feurzeig, a pupil of the distinguished Schubert scholar Susan Youens, for sharing a great deal of her fascinating new research in this area, in particular about the stormy and intense friendship between Senn and Bruchmann.
Some of this material has the deepest significance for the history of the whole Schubert circle, but it also touches on the threads which connected that circle to Schlegel. Feurzeig can provide no conclusive proof of a link, but a fascinating series of probabilities make it almost certain that Schubert encountered Schlegel, and found him unsympathetic.