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1. “A Very Long Engagement” (dir. Jean-Pierre Jeunet, 2004)
Contents:


  1. Famously misleading
  2. See a Problem?
  3. Two Steps from Glory, a World War II Liaison Pilot and His L-4H
  4. Everything You Know About How World War I Ended Is Wrong
  5. How the First World War led to years of Palestinian suffering

Sculpted by Henry Shrady, the heroic bronze equestrian sculpture has stood sentinel at the Brooklyn approach to the Williamsburg Bridge since Shrady, in his first major public commission, chose to depict Washington in a vulnerable pose of contemplation, shrouded in a cloak and hat to protect him from severe weather—a more introspective interpretation than Henry Kirke Brown's equestrian of the commander in Union Square.

How America Entered World War One

The large statue was cast at Roman Bronze Works in Brooklyn, and when installed the massive monument required eight sturdy draft horses to transport it and help hoist it into place. The most impressive Revolutionary War memorial in the city's parks is the Prison Ship Martyrs Monument in Fort Greene Park, which marks not a battle monument but a grave site.

Why WW1 veteran said dandelions instead of red poppies should be used to remember WW1 dead

The foot-high Doric column designed by architect Stanford White is the site of a crypt for more than 11, men and women, known as the prison ship martyrs, who were buried in a tomb near the Brooklyn Navy Yard, just down the hill from Fort Greene Park. The thousands of Colonial soldiers held on prison ships anchored in the East River died of overcrowding, contaminated water, starvation, and disease, and their bodies were hastily buried along the shore.

In , these remains were buried in a mass grave on Jackson Street now Hudson Avenue , near the Brooklyn Navy Yard, and a fraction of these remains were transferred in to Fort Greene Park. There they were reinterred in 22 boxes in a byfoot brick vault marked by a structure designed by Frederick Law Olmsted and Calvert Vaux co-designers of Central and Prospect Parks.

Towards the end of the 19th century, a diverse group of interests including the federal government, municipal and state governments, private societies, and donors, began a campaign for a permanent monument to the prison ship martyrs. In , the architectural firm of McKim, Mead and White was hired to design a new entrance to the crypt and a wide granite stairway leading to a plaza on top of the hill where a Doric column crowned by a bronze lantern was erected.

Bronze eagles which mounted on the granite posts at the surrounding plaza's four corners are attributed to Adolph Alexander Weinman. In , the monument was dedicated with great fanfare in a ceremony presided over by President-elect William Howard Taft; a century later, it was rededicated on November 15, , following a restoration of the monument that included completion of certain plaza features never finished originally.

Famously misleading

There are about three dozen memorials in our parks related to the Civil War. Another early Civil War monument, the Soldiers Monument marks the graves of 21 Roman Catholic soldiers in the Union Army and stands on a small plot of land deeded to the City by the trustees of St. Patrick's Cathedral, and today encompassed by Calvary Cemetery. In other instances, such as the Soldiers and Sailors memorials at Riverside Park, Grand Army Plaza, and Major John Mark parks, the emphasis is on collective sacrifice during the war that threatened the integrity of the our nation's union.

These Civil War memorials coincide with a flowering of American sculpture. Augustus Saint-Gaudens , considered by many as the preeminent sculptor of the Gilded Age of American art, sculpted the Admiral Farragut Monument located in Madison Square Park, which was his first major public sculpture, as well as the General William Tecumseh Sherman equestrian monument in Manhattan's Grand Army Plaza Sculptor Frederick W. Saint-Gaudens was commissioned to create a monument for General Sherman, of whom he had created a bust in and with whom he spent much time when Sherman posed for him.

Saint-Gaudens's admiration for the general only grew stronger after listening to his many stories; his appreciation for Sherman is evident in the monument's elegant and dignified portrayal of the war hero.

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For the equestrian monument, Saint-Gaudens labored over every detail of the piece, splitting his time between his studio in Cornish, New Hampshire and Paris, France. The sculptor also became severely ill during the 12 years it took to complete the project, which was one of his last works. As with many of the sculptor's works, the allegorical figure of peace-leading Sherman is modeled after Saint-Gaudens's mistress, Davida Johnson.


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The pine branch at the horse's feet represents Sherman's march through Georgia. Farragut , considered one of the masterpieces of 19th-century American art, was dedicated in Madison Square on Memorial Day, Saint-Gaudens collaborated with architect Stanford White, and White designed the elegant base and exedra.

Two Steps from Glory, a World War II Liaison Pilot and His L-4H

Made of Hudson River bluestone, the base fell into such disrepair that in the s, it was replaced with a granite replica, and the original is now displayed at the Saint-Gaudens National Historic Site in Cornish, New Hampshire. Construction on the Soldiers ' and Sailors' Memorial Arch began in , and the Arch was dedicated in at the same time that the architectural firm of McKim, Mead and White began to formalize this entrance to Prospect Park and transform Grand Army Plaza Plaza into a classical space. Possessing great emotional depth and symbolic power, the sculptural groups are also distinguished by MacMonnies' attention to realistic details of costume and weaponry.

The two fine bronze equestrian reliefs of Abraham Lincoln and Ulysses Simpson Grant both inserted into the interior walls at the base of the arch are by crafted by Thomas Eakins and William O'Donovan Eakins modeled the horses while O'Donovan crafted the figures. This massive circular temple-like monument located along Riverside Drive at 89th Street commemorates Union Army soldiers and sailors who served in the Civil War. It was designed by architects Charles and Arthur Stoughton , who won a competition with this ancient Greek-styled design. The marble monument, with its pyramidal roof and 12 Corinthian columns, is based on the Choragic Monument of Lysicrates in Athens.

Sculptor Paul E. Duboy carved the ornamental features on the monument. The allegorical statue by Alsatian-born and French-trained sculptor Frederic Wellington Ruckstull contains symbols of victory the laurel wreath in the left hand and peace the palm frond in the right hand —both common themes of war memorials from the time. Originally located in a nearby street mall, after decades under threat from oncoming traffic, it was relocated to its present, more protected setting in A stylistic departure from typical late 19th century Civil War sculpture can be seen in the Monitor and Merrimac Monument by sculptor Antonio de Filippo , which was dedicated in and illustrates a more modern sensibility; the statue depicts a heroic male nude pulling a rope attached to a capstan, and symbolizes Greenpoint-based Swedish-born engineer John Ericsson's role in military-maritime technology while also honoring the memory of the men of the Monitor, who fought an early naval battle against the Confederate Merrimac ship during the Civil War.

Everything You Know About How World War I Ended Is Wrong

George, Staten Island depicts an idealized classical figure, rather than in military garb, perhaps because the subject went on to distinguish himself equally in local civilian affairs separate from military service. At one time, about 50 cannons and military ordnance serving as artifacts of past wars were displayed in the City's parks, most in small traffic islands. During World War II, most of these were melted down for scrap to support the war effort, except for those examples from the Revolutionary and Civil Wars, deemed of historic value.

Today, cannons of Civil War vintage may be viewed in Riverside Park and Brooklyn's John Paul Jones Park, while older cannons and mortars are exhibited at the southwest corner of the Battery and the northeast corner of Central Park. Two Revolutionary War—era cannons are also included in the Fort Greene Park historical interpretive center.

Learn More. Although it was a short war with a questionable mission, the sacrifice of American troops during the Spanish-American War is also commemorated by several memorials across the city. A column erected in at Graham Square in the Mott Haven section of the Bronx is dedicated to those from that community who served and died.

Tilly Park in Jamaica, Queens.


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  • Tilly, the son of a prominent Jamaica family, was killed while fighting in the Philippines in By far, the most significant Spanish-American memorial in the city is the grand Maine Monument at Central Park's Merchant's Gate at Columbus Circle, that honors the American sailors who perished when the battleship Maine exploded in the harbor of Havana, Cuba, then under Spanish rule.

    Four days after the Maine went down, newspaper publisher William Randolph Hearst's New York Morning Journal called for a public collection to honor the sailors with a monument, and H. Van Buren Magonigle and Attilio Piccirilli were chosen to design and sculpt the massive piece. A bronze figure of a woman, Columbia Triumphant , sits atop the center pylon, riding in a seashell chariot—this group is cast in bronze recovered from the guns of the Maine itself.

    Allegorical groups adorn the front and side fountains, and the names of those who died on the Maine are inscribed on the pylon above the oceans. The sculptural program figuratively reflects America's new position as a dominant world force, and this imposing Beaux Arts structure, altering this southwest entryway to the pastoral landscape by Olmsted and Vaux, is a bold physical embodiment of this new role on the global stage. The statue depicts a foot soldier dressed in military fatigues, with a rifle slung over his shoulder.

    The image and nickname is derived from the long marches that the infantry endured in the tropical Cuban climate and terrain. Several versions of Hiker monuments exist across the country. This one, by Allen G. Newman , was copyrighted by the sculptor in and for a time served as the official monument of the United Spanish War Veterans USWV , one of the organizations that that sponsored the Tompkinsville Park monument. One of over twenty Newman Hiker statues cast by J. Williams, Inc.

    Encompassing more than different memorials of all shapes and sizes, those park monuments erected in the aftermath of World War I are the most prevalent in New York City parks.

    How the First World War led to years of Palestinian suffering

    This is thanks in part to the massive mobilization that took place all over the country, and the fact that the war marks the first time in American history when huge numbers of American men were called to volunteer for a major war effort abroad. All over the city, neighborhoods commemorated their war dead, often in modest triangles in the center of the neighborhood.

    Wellman because he was the only established director who had WWI combat pilot experience. It was a decision well made: the film is revered for its realistic and technically sophisticated air combat sequences. It upended cinematic and social conventions by not only being the only silent film to win an Academy Award that year, but also for being one of the first films to feature nudity and a scene of two men kissing.

    Sign Up: Stay on top of the latest breaking film and TV news! Rating details. More filters. Sort order. May 13, Caroline rated it it was amazing Shelves: favorites. Welton Taylor is a born story teller. Army in World War II, to his return from the war. Put in charge of men at the bottom of the army pecking order, he tempered fierce determination to be the best and a sense of duty with compassion and understanding.

    When he found himself without enough to do, he flew. Every moment he could be in the air, he flew. He learned to finesse the eye test, and, when his artillery training provided an opportunity to train on liaison aircraft, he jumped at it. Liaison planes, or L-birds, were light-weight two-seater aircraft used by artillery spotters, transport, and for a wide variety of tasks for which larger aircraft were unsuitable. His hair raising stories of close calls and miraculous landings are told with loving and detailed attention to the science and art of aviation. Taylor went on to become a highly regarded scientist whose work in industry and medicine and his work with both the CDC and World Health Organization, brought him great recognition.

    His love for his family and friends, for his L-bird, and for the time he had flying, however, resonate from the pages of this book. This one wasn't quite what I expected, as most WW2 aviation stories include a fair amount of But Welton Taylor was black, so his unit essentially wasn't allowed to engage in big combat operations. Granted, this being WW2 aviation, Taylor was involved in some pretty sticky situations, both during training and then once he finally reached the South Pacific.

    What makes this book unique is Taylor's description of what he routinely calls "the civil war": white America's ongoing effo This one wasn't quite what I expected, as most WW2 aviation stories include a fair amount of What makes this book unique is Taylor's description of what he routinely calls "the civil war": white America's ongoing efforts to keep black America down, including in the U.

    What's more, Taylor writes beautifully and thoughtfully throughout. Highly recommend if, like me, you're interested in both race relations and WW2 flying. Fred Krueger rated it really liked it Nov 30, Marjorie Phillips marked it as to-read Nov 21, Dan marked it as to-read Mar 20, Fareeda marked it as to-read Jan 26, Andrea marked it as to-read Dec 13,