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Overview Born into an educated free black family in Portland, Maine, Pauline Elizabeth Hopkins was a pioneering playwright, journalist, novelist, feminist, and public intellectual, best known for her novel Contending Forces: A Romance of Negro Life North and South. In this critical biography, Lois Brown documents for the first time Hopkins's early family life and her ancestral connections to eighteenth-century New England, the African slave trade, and twentieth-century race activism in the North.

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Brown includes detailed descriptions of Hopkins's earliest known performances as a singer and actress; textual analysis of her major and minor literary works; information about her most influential mentors, colleagues, and professional affiliations; and details of her battles with Booker T. Washington, which ultimately led to her professional demise as a journalist. Richly grounded in archival sources, Brown's work offers a definitive study that clarifies a number of inconsistencies in earlier writing about Hopkins.

Pauline Hopkins

Brown re-creates the life of a remarkable woman in the context of her times, revealing Hopkins as the descendant of a family comprising many distinguished individuals, an active participant and supporter of the arts, a woman of stature among professional peers and clubwomen, and a gracious and outspoken crusader for African American rights. Show More. Average Review. Write a Review. Related Searches.

Pauline Elizabeth Hopkins : Black daughter of the Revolution (Book, ) []

In , Chicago's school year began with the city's first teachers' strike in a quarter In , Chicago's school year began with the city's first teachers' strike in a quarter century and ended with the largest mass closure of public schools in U. On one side, a union leader and veteran black woman educator View Product. Nowell served as Wolfe's editor for many of his short stories, paring them down to make them acceptable to magazines.

Oddly enough, his attitude toward her Further, this section demonstrates the ongoing commitment of both sides of Hopkins's family to black freedom, cultural arts, and social justice. Brown's work builds on other studies of free blacks in New England, such as the pathbreaking scholarship of Lorenzo Greene and James and Lois Horton.

The Paradox (and Death) of American Cultural Imperialism

The second section of Brown's narrative explores Hopkins's creative work in theater and music. It shows Hopkins's development as an artist and performer and places her within the changing world of late nineteenth-century black public performance culture. Hopkins and other black actors and musicians were determined to produce and exhibit artistic works that stressed the agency of authentic black characters.

In addition to creating an opportunity for black artists, their troupe also used performance as a medium to explore and critique racist elements of American popular culture during the period, especially blackface minstrelsy. Through historical plays based on African American experiences in slavery and freedom, Hopkins challenged a rapidly developing collective memory that sought to expunge the Civil War's legacy of black freedom and racial equality, as well as the story of African American agency in institution and community building during Reconstruction.

Hopkins joined the myriad voices of northern blacks, such as W. DuBois, Ida B.

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Wells, William Monroe Trotter, and others who protested the increase in lynching, disfranchisement, and racial violence against blacks in the South at the beginning of the twentieth century. Brown introduces Hopkins's foray into writing in the third section of the book.

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Hopkins's success as a novelist and her historic tenure as editor of the Colored American Magazine , the nation's first black literary magazine, brought her into the company of national figures who were increasingly conscious of the need to address the tenuous position of black citizens in Progressive-Era America. Hopkins's efforts to forge an identity as a race writer joined with her skills in "literary advocacy" proved to be a brilliant strategy for the new magazine.

In addition to providing a venue for literary and intellectual writers, the Colored American Magazine grappled with the social and political issues that blacks faced in early twentieth-century America. Some features of WorldCat will not be available. Create lists, bibliographies and reviews: or.

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